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    "description": "Weblog von Stefan Grund",
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            "title": "Pirating the Oscars 2012",
            "content_html": "<p><img decoding=\"async\" src=\"https://eay.cc/uploads/2012/piratingoscars.png\" alt=\"\" style=\"margin: 0 0 0 5px; float: right;\" /><a href=\"http://waxy.org/\">Andy Baio</a> hat auch in diesem Jahr wieder seinen allj\u00e4hrlichen &#8222;Pirating the Oscars&#8220;-Bericht ver\u00f6ffentlicht, in dem er jedes Jahr nachh\u00e4lt, wann, wie schnell und in welcher Form Kopien der Oscar-nominierten Filme im Netz aufgetaucht sind. Und nach zehn Jahren der Beobachtung kommt er dieses Mal zum Fazit, dass die MPAA erstmals den Kampf gegen das Ver\u00f6ffentlichen der Oscar-Screener gewonnen hat. Dennoch ist das nur ein Teilerfolg, denn:</p>\n<blockquote><p>They may be winning the battle, but they&#8217;ve lost the war.</p>\n<p>While screeners declined in popularity, 34 of the nominated films (92 percent) were leaked online by nomination day, with 25 of them available as high-quality DVD or Blu-ray rips. Only three films &#8212; Extremely Loud &#038; Incredibly Close, My Week with Marilyn and W.E. &#8212; haven&#8217;t leaked online in any form (yet!).</p></blockquote>\n<p>Den ganzen Artikel mit allen Daten findet ihr <a href=\"http://waxy.org/2012/01/mpaa_wins_the_oscar_screener_battle_but_loses_the_war/\">hier bei Waxy.org</a> (ja, ich wei\u00df, er hat die Ergebnisse auch schon vor ein paar Tagen bei Wired ver\u00f6ffentlicht, aber ich verlinke dann doch lieber auf&#8217;s private Blog. 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            "date_published": "2012-02-01T11:48:30+00:00",
            "date_modified": "2012-02-01T11:48:30+00:00",
            "author": {
                "name": "Stefan"
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                "filme",
                "netzkultur",
                "oscars",
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                "urheberrecht"
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